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The instrumental is far too loud and not centered in the mix. Not a fan of the anti-drop here either, doesn’t add anything besides being trendy (hey industry, I know what an anti-drop sounds like by now!) The mixing is a mess and sounds terrible on headphones. I’ve listened to this song about 70 times according to last.fm, and I couldn’t recite a single second of the verses. Bassline and drums drive the song and keep my attention while Sunmi sings wistfully on top. Then a month goes by and it’s somehow the best song I’ve ever heard. Not the best thing I’ve ever heard, but it’s fun.Īs with almost every new Sunmi song, it’s just barely notable enough to find its way into my playlist. Great music video and performances really got this song stuck in my head. Crowd absolutely lost their mind and I loved every second of it. The day I saw them live was the day I learned you can make anything sound good if it’s played loud enough. Silly song, great vocal performances throughout. Some silly English lyrics thrown around here and there but it doesn’t ruin the song for me. We still have some vocal melodies, and the drums are fantastic. It’s not a simple drop and the instrumental really kicks into high gear. Lots of tension in the verses, and I genuinely love the chorus. Might land in my top 5 of the year if nothing else knocks it off.ĭidn’t expect this to grow on me as much as it did. Every melody is memorable, and there’s a surprising amount of them compared to other songs that try this style. I love the way it punches right into the post-chorus. The vocal delivery is super dynamic and aggressive, and it becomes more obvious the more listens I put into this track. I know I’m the odd one out when it comes to this group, but I really can’t stand their slower stuff, this fits them way better. “Satellite” is warm and nostalgic, and Suzy knows exactly what kind of vocal performance to give on a song like this. A lot of kpop is so touched-up it can sound surgical sometimes. Nice to hear some lo-fi, messy production. Tasteful and subdued production provides a great canvas for Yuju to paint over. Sneakers by Itzy – 7.5 -> 8.5 (it clicked lol)įallers – None, I tend to like music more over time in general, and this month didn’t really have anything in which I avoided after I felt neutral/liked it. Girls by Aespa – 7 -> 8 (It still feels like a missed oppurtunity ? ) Hypeboy by NewJeans – 9 ->9.5 (the hooks were much more potent than I thought) _WORLD by Seventeen – 8.5 -> 9 (its longevity sold me) Honestly though, probably because they are my ultimate bias group, it is still a strong SOTY contender. As you’ve already said, it just needs a proper climax to seal the deal. I can’t help but listening to it again and singing with them whenever it comes up. Something about this song just slaps though. I would first like to thank you Nick for introducing so many new K-pop songs and groups to me, and I would be lying if I didn’t say that your blog has helped me find what kind of songs I like, and gain more appreciation for sub-genres within K-pop that I didn’t like at first (Gfriend-ish songs, but now they’re one of my favorite groups!), and get a good idea of how the K-pop soundscape evolved over time.Īnyway, I’m so happy that Future-Perfect ended up clicking with you too! Honestly, I didn’t expect that you would end up liking it more considering your usual aversion towards these kind of tracks. Sadly, my “9” club this month didn’t fare as well as I had hoped!ĮNHYPEN – Future Perfect (Pass The Mic) *Biggest Riser*įirst time commenting here, but I’ve been a long time lurker. 9+ rated songs occupy a totally different playlist in my music library, so I’m pretty particular about what qualifies. I’ll probably tack the last week of each month onto the next “risers and fallers” post, since these songs have only been out a couple of days.Īnd remember, just because a song is marked as a “faller” doesn’t mean I hate it! Falling from a “9” to an “8.75” is no shame. But, it’s a fun way to keep track of how my feelings on songs have changed over time – as well as which tracks currently have momentum on my playlist. I anticipate most of these ratings adjustments will be negligible: a 0.5 shift here, a 0.25 shift there. This will let me account for more songs and make a nice lead-in to the monthly round-up post.
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I’ve decided to try something new! Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month.